Ovation Applause Serial Numbers
The Ovation Guitar Company is a manufacturer of guitars. Ovation primarily manufactures steel-string acoustic guitars (both 6 and 12-string versions) and nylon-string acoustic guitars, often with pickups for electric amplification. Model Number: Model: Years Made: Made In: Strings: Format: Cutaway. Ovation Moon Memorial Model: 2000: USA: Steel: 6: Yes: MID. OFC Members Serial Number List. ELITE SERIES Including Elite-T, Bass, Mandolin, Longneck, Celebrity, Applause, Pinnacle, Matrix. Entry-level guitars: Applause and Celebrity. Ovation has two lines of entry-level guitars. Applause, the lowest cost line, with mainly laminated tops, is imported from China. Celebrity models are imported from China or Korea, and range from entry-to-medium level laminated top models, to high-end, solid top models with lots of ornamentation.
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Industry Predecessor Ovation Instruments, a division of ( c. 1964) Founded c. 1965, [ ] Founder Headquarters Products Website The Ovation Guitar Company is a manufacturer of. Ovation primarily manufactures (both 6 and 12-string versions) and nylon-string acoustic guitars, often with pickups for electric amplification. In 2015, it became a subsidiary of after being acquired from. The company's Ovation and Adamas guitars are known for their round backs, which gives them a recognizable shape.
Ovation Applause Acoustic Electric
The latter are also well known for the use of tops (instead of the typically wood tops for ). Among musicians the relatively thin neck stands out as well, compared to other acoustic guitars.
A mid-1970s Kaman Ovation Custom Balladeer 1612-4, next to a. Founder (1919–2011) developed the first Ovation guitar in 1965–1966. Kaman, an amateur guitarist from an early age, worked on helicopter design as an aerodynamacist at United.
Eventually, he founded a helicopter design company,, in 1945. The Kaman Corporation soon diversified, branching into nuclear weapons testing, commercial helicopter flight, development and testing of chemicals, and helicopter bearings production.
In the early 1960s, however, financial problems from the failure of their commercial flight division forced them to expand into new markets, such as entertainment and leisure. Charles Kaman, still an avid guitar player, became interested in making guitars. From 1966 to 2007 Ovation guitars, and later on Adamas guitars, were a brand of, which itself was a subsidiary of.
In 2008 KMCMusicorp (and with that the Ovation brand) was sold to the. In 2014, Fender announced that they were closing the Ovation guitar factory in New Hartford, Connecticut, leaving all production of Ovation guitars overseas. Before that announcement Fender established a U.S. Production of various acoustic guitars in the New Hartford factory. Alongside Ovation and Adamas guitars, which were produced there for decades, Fender started a U.S.
Production of other Fender-owned brands in that factory, as is known, Guild () and Fender. Shortly after closing the New Hartford factory [ ] it was announced that the Ovation brand had been sold to the company, alongside a few other previously Fender-owned brands. The announcement was made on January 7, 2015.
In addition to the Ovation brand, Drum Workshop also bought the New Hartford factory and reinstated the previously ceased U.S. Production of Ovation and Adamas guitars, basses, ukuleles and mandolins. Research and development of first models [ ]. Fiberglass round-back body (medium-depth) of Ovation Balladeer (1968) Charles Kaman put a team of employees to work to invent a new guitar in 1964. For the project, Kaman chose a small team of aerospace engineers and technicians, several of whom were woodworking hobbyists as well. One of these was Charles McDonough, who created the Ovation Adamas model.
Kaman founded Ovation Instruments, and in 1965 its engineers and (guitar makers) worked to improve acoustic guitars by changing their conventional materials. The R&D team spent months building and testing prototype instruments.
Ovation Applause Bass
Their first prototype had a conventional, with parallel front and back perpendicular to the sides. The innovation was the use of a thinner, synthetic back, because of its foreseen acoustic properties. Unfortunately, the seam joining the sides to the thin back was prone to breakage. To avoid the problem of a structurally unstable seam, the engineers proposed a synthetic back with a shape. By mid-1966, according to Ovation, they realized that the parabolic shape produced a desirable tone with greater volume than the conventional dreadnought. Once the engineers had settled on a parabolic shape, they turned their attention to developing a substance that could be molded into this bowl-like shape. Using their knowledge of high-tech aerospace composites, they developed Lyrachord, a patented material comprising interwoven layers of glass filament and bonding resin.
The first successful design, built by luthier Gerry Gardner, went into production soon after the company was established. The first Ovation guitar made its debut in November 1966. Its Lyrachord body gave the instrument, according to the company, unprecedented projection and ringing sustain. Compared to modern Ovation Guitars, the initial instruments had a shiny bowl that was used again, for example, in the Balladeer 40th anniversary re-issue. Initial marketing [ ]. (pictured) gave national publicity to Ovation's round-back guitars. The introduction and promotion of the first Ovation was closely associated with two performing artists, the -performer and the country-music singer.
Josh White [ ] In 1965-1967, the Ovation Guitar Company produced a signature guitar for Josh White, which was the first signature guitar made for an African American. White was the first official Ovation endorser. Upon completion, the first was called the 'Josh White Model,' which White played at the Hotel America (Hartford, Connecticut), 14 November 1966; at the same show, the Balladeers played Balladeer models. The show was witnessed by '300 representatives of the press and the music industry' Glen Campbell, 1968 [ ] The Ovation Roundback Balladeer first caught national attention in 1968 when hosted a variety show he called on CBS, and in the following year, 1969, he became one of Ovation's first endorsers. Design innovations [ ]. Ovation guitar design reflects its founder's engineering training and development of.
Ovation guitars replace the instrument's conventional back and sides with synthetic bowls. Kaman felt there were structural weaknesses in the orthogonal joining of the sides, and that a composite material could provide a smooth body. Ovation claims the parabolic bowls dramatically reduce feedback, allowing greater amplification. Improved synthetics techniques from helicopter engineering control vibrations in the bowl. Ovation developed a thin neck, striving for the feel of an electric guitar's neck, but with additional strength from layers of mahogany and maple reinforced by a steel rod in an aluminum channel. The composite materials and thin necks reduced weight.
Sound holes on Ovation Applause For its soundboards, Ovation uses, a wood that Kaman engineers used in helicopter blades. In the 1970s, Ovation developed thinner soundboards with carbon-based composites laminating a thin layer of birch in its Adamas model. The Adamas model dissipated the sound-hole of the traditional soundboard among 22 small in the upper chamber of the guitar, which Ovation says yields greater volume and further reduces feedback during amplification (pioneered in the Adamas model in 1977). Although the area of the multiple sound holes is equal to the area of a single-soundhole, the altered position allows a new style of (e.g. Adamas Bracing).
The design strengthens the soundboard, reducing the traditional design's bracing and hence weight. In the 1980s, Ovation introduced shallow-bowl guitars to appeal to electric guitarists. In 1977-1978, Gypsy, an Ovation performing and recording artist, designed the first stereo pre-amplifier for the Adamas 12 string and used it on his album 'Ladies Love Outlaws.' At the same time, Ovation provided small doors that blocked the sound holes from the inside in order to dampen feedback in the presence of loud stage monitors. Gypsy had also requested the addition of a round hatch in the back of the body of pre-Adamas guitars to facilitate changing the on-board battery, a feature that was then adopted for all the 'round holes.' Before this time, the strings on the round-hole guitars had to be removed to do this. On-board electronics let guitarists move about the stage rather than stay in front of a microphone.
On-board electronic tuning, availability, uniformity, and frugal costs facilitated performances by guitar ensembles like 's students. Ovation has also produced solid-body and active. Ovations reached the height of their popularity in the 1980s, where they were often seen during live performances by touring artists, such as 's or in.
Ovation guitars' synthetic bowl-shaped back and early use (1971) of, onboard equalization and were particularly attractive to live acoustic musicians who constantly battled problems from the high volumes needed in live venues. [ ] Ergonomics [ ] When he became one of Ovation Guitars's first endorsers, Glen Campbell suggested reducing the weight of the guitar, which he had discovered caused back strain. After that, Ovation reduced the weight of several models and pioneered 'super-shallow' guitar bodies. While it was produced, Ovation's super-shallow 1867 Legend was the recommended guitar in 's. Wrote that the acoustic 1867 Legend has 'a gently rounded super-shallow body design that may be about as close to the shape and depth of an electric guitar as is possible without an intolerable loss of tone quality.
Fripp liked the way the Ovation 1867 fitted against his body, which made it possible for him to assume the right-arm picking position he had developed using electric guitars over the years; on deeper-bodied guitars, the Frippian arm position is impossible without uncomfortable contortions.' Ovation has produced the Custom Legend 1769 ADII for (pictured).